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Aside

LECTURE BY ALEXANDER REFORD
THE INTERNATIONAL GARDEN FESTIVAL
Beyond the Edge: Artists’ Gardens, a new project of the Canadensis Botanical Garden Society,
Ottawa, presents a lecture by Alexander Reford, Director of Les Jardins de Métis/Reford Gardens,
Grand-Metis, Quebec.
Alexander Reford will delight gardeners, landscape architects, and artists with his presentation on The
International Garden Festival, the leading contemporary garden festival in North America held at Les
Jardins de Métis/Reford Gardens. Each year, the festival exhibits over 25 conceptual gardens created by
architects, landscape architects, and designers in a natural environment on the banks of the St. Lawrence
River. Since its inception in 2000, more than 140 gardens have been exhibited.
DATE: Thursday May 1, 2014
The lecture will be given twice:
6:00 – 7:15 pm (doors open at 5:30 pm)
8:00 – 9:15 pm (doors open at 7:40 pm)

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COST: CBGS Members: $12. Non-members: $15.
PAYMENT: Tickets for the lecture time of your choice – 6 p.m. or 8 p.m. – can be made through PayPal, or
purchased at the door. Advance purchase is recommended due to limited seating. Bring your Paypal receipt
to gain entry. Click here to Pay online
LOCATION: The renovated Cereal Barn (Bldg #76), Central Experimental Farm, off Prince of Wales Drive.
PARKING: Located off Prince of Wales Drive, south of the Arboretum. $3.00 pay and display.
Click here to View site map
Proceeds will go to Beyond the Edge: Artists’ Gardens (Ottawa), June 27- September 27, 2014,
an inaugural project of the future Canadensis: The Garden of Canada/Le Jardin du Canada. Information
on Beyond the Edge: Artists’ Gardens, including location and participating artists, will be announced at this
lecture.
Complementary coffee is generously provided by BRIDGEHEAD
Pink Punch, 2013 by Michaela Macleod and Nicholas
Croft
Photo credit: Marie-Claude Hamel

How can you tell I haven’t been in the studio much?

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ImageBecause I don’t blog much when I’m not in the studio either!

That is a piece I started 2 weeks ago. Then I took in a cat. A cat that needs to know he has a forever person and a forever home. A cat that is slowly destroying my home but is slowly winning my heart as well. He’s a brat but he’s a lost little boy and I have to forgive him for now.

I’m finally living alone again and the freedom is indescribable. I’m not as stressed and I can eat, drink, read and dance in any room in the house, dressed or nekid, and I  play music all weekend. I got rid of cable tv and home phone and I feel deliciously detached. I did keep my internet…a girl has to have some vices.

Back to the painting. I had a big plastic storage box full of crafters acrylics. I’d been collecting them for years from various dollar stores. About 10% of them had dried up. A lot of them were in a gummy stage so I scraped out what I could and rolled the paint into shapes and used them in another painting. I’m not sure I like the effect yet but I can work that out.

I then cleaned out my canvasses. I had one that was left behind by the previous studio owner but it had a rip in it. Instead of throwing it out I cut out two holes in different shapes, kitty corner to each other. Then I squeezed all of that old paint from the top of the canvas and let it drip down the surface. It made some wonderful puddles on the floor. Now I have to figure out how to lift it all in one piece because I want to place them behind the holes in the canvas.

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I think if I spray the lot with water it may make this puddle softer so that I can lift it. If not then I will have to begin the dripping process all over again. I’ll put a piece of canvas below my easel to catch the puddles this time. We shall see. Maybe I should do puddles of just black and white. We shall see. I have to get my butt to the studio at least once this week.

The installation for Chinatown Remixed is taking over my life again. Funny thing is, I sign up for it every year. I’m kinda kooky that way. It’s going to be wonderful and generous and outrageous this year. So, if you’re in Ottawa from May 17th to June 17th, 2014, hop on over to Chinatown for some very groovy art.

ORANGE is the new HOT in Otown

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Here’s what’s hot tonight people….Orange Gallery has relocated to 290 City Centre Avenue in Ottawa, the nation’s capital happenin city!!

I go to Orange every time one of my two favorite artists are showing,  Dan Martelock and Andrea Stokes. Twice I haven’t been able to make it but now that the gallery is closer to home, I’m sure I won’t ever miss a show again.

See are my farty arty, artsy fartsy friends out tonight. I’m looking forward to a new era of amazing art at ORANGE

FOUND INSPIRATION

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In my last blog I whined, complained, moaned about no inspiration or motivation. I forced my butt to the studio Tuesday night after a very stressful day at work. I pittered and pattered about my studio, just kind of forced myself to stay in the conversation of art.  I was cleaning my brushes in the common area where we clean brushes. I looked at to tiny paintings on the wall of this common area and wondered who had painted them and how long they had been there. Then my eye moved a few feet to the left and I saw this…a hook on the wall of the bathroom stall.

It was like an open invitation, a dare, a challenge and my mind quickly accepted!

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Finding inspiration

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I’m feeling quite uninspired these past two weeks. I’ve only managed to drag my ass into the studio twice a week and I’m feeling quite drained. Let’s brainstorm shall we? Tell me what you do to be inspired. What are your rituals to induce those creative juices to flow? Where do you draw energy from? Who or what inspires you?

I’ve accepted so many invitations to different art shows and gatherings etc. but can’t seem to muster up the energy or excitement to attend. I know I’m missing a lot of great vernisage but I just can’t seem to drag my ass out of the house. I think this might be the winter blahs and lord knows we’ve had a very hard cold winter..its still threatening to hang on for dear life. Or…….

I know I’m kind of waiting for my life to start anew again this month but that is just it, I’m waiting. Waiting is not at all inspirationall. So I wait and want, want and wait. I also pray that this lethargy ends when I get my space and place to myself again in the middle of the month.

No matter what the cause or reason for my inaction…even if I find out why…it won’t make a difference. What will make a difference is making a choice. I can be committed to bitching about it or I can be committed to doing something about it. The last choice is doing absolutely nothing about it but no bitching allowed. HMMMMMM. what shall I do?

I’m really praying hard for spring. The birds outside my bedroom window were very loud this morning. I’m hoping they know something I don’t know.

 

THE bucket list

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Everyone has a bucket list right?  All those crazy things you want to do, see, people you want to do, see. I have a bucket list of art galleries and museums that I simply must see before I leave this planet. These are not in order of preference or importance. They are all important and all a must see for me. What does your list look like?

1. The Guggenheim in Bilbao, Spain.  http://www.guggenheim.org/bilbao

2. The Guggenheim in NYC, USA  http://www.guggenheim.org/new-york

3. The Louvre (of course), Paris, France   http://www.louvre.fr/en

4. The Tate Modern and Britain , London, UK  http://www.tate.org.uk/

https://i0.wp.com/hyponik.com/content/uploads/2013/04/tate-modern1.jpg

5. The Getty, LA, USA  https://www.getty.edu/museum/

6. The Van Gogh, Amsterdam, Netherlands  http://www.vangoghmuseum.nl/vgm/index.jsp?lang=nl

7.  The Klughaus, NYC, USA       http://www.klughaus.net/artists.html

8. The ARTIC, Art Institute of Chicago, USA   http://www.artic.edu/

9. The Vatican Museums   http://mv.vatican.va/3_EN/pages/MV_Home.html

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10. SAAM/Rencwick, Washington, DC, USA   http://americanart.si.edu/

Naming your works profanely (warning explicit language)

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ImageDo you think there’s a cost to using the exact words you know in your heart best describes your latest piece or do you leave that up to imagination of the beholder? This latest piece I’ve completed is called Mutha Fucka…but I don’t know if I’ll keep the name for fear of offending too many people. Then again…I am really tired of not expressing myself and this painting absolutely portrays what happens when one censors themselves. I could always just go with Mutha F*&^a but that really isn’t as effective is it? Gimme two cents yall.

Non-Conformity & Reading & Inspiration

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I like the idea of making art but I also like the idea of eating and sleeping in a warm home and being able to connect with people all over the world via the interweb. I guess one must sacrifice some art for some comfort?

Thomas Wotherspoon's avatarthomasjobwotherspoon

While gardening at Esalen Institute, I met a renegade stock broker from NYC who had recently quit his job and started living the life he’d  always dreamed.  Esalen is a retreat center nestled into the crags of Big Sur, California.  Beautiful lush gardens, rows of vegetables and flowers, stand out against the looming hulk of the mountains and the violence of the Pacific coast.  Locals mock its hippie values, and the rich clientele.  It is a place where people come to relax in a spa overlooking stunning sunsets, and to learn about alternative medicines, thought, and lifestyles. So I was not completely surprised to meet Marc (not his real name).

A desk job with a huge salary drove him crazy. It was next in the progression of expectations that Marc had achieved. He went to the best college, graduated with honors, and made the logical next move–to corporate America. Staring…

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Tactfullness in expression

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Most artists, heck,  I think all artists, will tell you that painting helps them to express their emotions and what’s going on inside of them. Okay. That’s all fine and dandy but while painting those feelings can be cathartic and therapeutic, what happens when the person or persons become enlightened that they are the object of your self expression.

For instance, this is a painting I’m working on at the moment. It’s meant to convey the utter frustration and often anger I feel while dealing with someone who absolutely is trying my patience. I know I’ve done all I can do to help this person yet nothing seems to be moving forward and our relationship is suffering because of it. However, if this person knew the painting was about them, I think it would make matters worse and I would hurt this someone very badly.

How do you explain your art without hurting people you love? You know that eventually they are going to want to know or they may hear it along the grapevine what this piece is “really” about. How do you present it tactfully? Do you even explain it at all? People always want to know, what this piece is about, or what that piece means, or what is your motivation behind those pieces?

I think I kind of answered the question myself in just trying to explain this particular piece in my blog. You leave out names, you skirt around the actual issue and you hope that person never figures it out. But isn’t that just another form of suppressing my self expression before, during and after the situation exists?

I think I need to paint some more and more and more and not even try to explain . Just do and be, be and do and stand back and admire.

I’m also going to create a signature now.

gimme two cents, Justy